The 20-year-old Juliette tries to come to terms with an unexpected pregnancy, despite a lack of support from the father of the child and from her mother.

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Juliette is a young woman who has grown up on a farm that is now under economic siege. In order to save her farm and her family, Juliette is forced into a marriage of convenience with Marcel , a morose and laconic railway worker whom she does not even know. Now that her own life is permanently changed, her sacrifice does not ultimately help her family and with that sorrow added to her lonely existence, she is trapped into remaining married because of social pressures and soon enough, the birth of a child. There must surely be a way out for her at some point, but when and how that will happen seems completely up to fate alone.

Willy - Juliette's Teddy Bear - has disappeared. Marcel will bring her through an initiatory and burlesque journey straight to the Toy's Cemetery where lies our dreams and fears.

2015年，一架德国之翼（Germanwings）的飞机在附近坠毁，法国阿尔卑斯山的一个偏远小镇突然成为全球新闻焦点。居住在该地区的电影制作人斯蒂芬·洛耶（Stephen Loye），以富有诗意和哲理的视角对这一事件进行了展现，与媒体的报道方式截然不同。在这部电影随笔作品中，洛耶与声音人类学家帕特里克·罗米厄（Patrick Romieu）合作，后者去寻找……

The title of this French-Canadian film translates to In the Belly of the Dragon, but don't assume that it's just another kung fu epic. Rather, the film is a likeable mixture of science fiction and humor, centered around the money-making schemes of star David La Haye. Unable to make ends meet with his minimum-wage job, La Haye hires himself out as a guinea pig to genially loopy scientist Marie Tifo. It is the doctor's contention that a person's intelligence can be artificially increased. La Haye proves her right...up to a point, that is. Extremely popular in Canada, Dans le Ventre du Dragon has yet to receive proper distribution in the States.

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Juliette wants to help her brother open his aero-club, but she can't pay back her loans. Her friend Justine suggests she become an escort to pay off her debts

Through the life and career of Marcel Carné, using film excerpts and archives (including touching interviews with the director), François Aymé weaves a fascinating portrait of a hypersensitive man who had to deal with his homosexuality and who, despite his brilliance, was long relegated to the shadow of his actors and Prévert, who were credited with their greatest success.